In my painting, the point of departure is nature — its rhythms, light, structures, sounds, and ambiguous references. It triggers the first impulse: emotion, image, energy. From nature I draw a network of connections — colour, light, space, texture, resonance. These elements initiate the process of thinking and lead to creating traces, gestures, signs — my own painterly language.
My works emerge in dialogue between abstraction and reality. I never follow a predetermined plan — painting is for me a living process, constantly modifying its initial assumptions. The canvas becomes a field of natural provocation, sometimes confrontation: between imagination and matter, intention and possibility.
The white canvas awakens in me the need for spontaneous revelation of the stream of colour. What matters is how the painting departs from its original vision, how new solutions open up, how gesture and light lead the composition in unexpected directions.
The expression of my works grows from fascination with nature — its chaos and regularity, diversity of textures and rhythms, and its ambiguity. My paintings are a synthesis of ongoing explorations, aiming to create compositions with unstable, indeterminate emotional charge.
In my artistic practice, I use synesthesia as a method — a tool for provoking synesthetic situations that influence the perception of the viewer and my own as a painter.
I combine image, sound, and light into a dynamic, live narrative. Light unites the layers of painting and sound, creating a shared space of emotion and energy.
Performance is for me a meeting — between artist and audience, between one person and another. It is creation, improvisation, and dialogue that subconsciously activates individual and collective senses, emotions, and energies. It opens the experience of nature and art in their most vivid form.